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Former Mötley Crüe vocalist John Corabi recently opened up about his current relationships with his former bandmates. He revealed which member he no longer communicates with in an interview on Talkin’ Bout Rock.
Corabi discussed his ongoing friendships with most of the band members. He shared details about his recent interactions with them.
“To be honest with you, I was just — God, Tommy [Lee, Mötley Crüe drummer] and I were just texting a month ago,” Corabi said. “We were going back and forth. And he saw that I got a record deal. He, was, like, ‘Hey, good luck with the record, bro.’ And I played him some stuff, and he was, like, ‘Awesome.'”
The singer also spoke about his relationship with former guitarist Mick Mars.
“I still talk to Mick [Mars, former Mötley Crüe. guitarist]… I speak with Mick,” he continued. “But Mick’s wrapped up in his thing. Between The [Dead] Daisies and the solo record that I just [completed], I’ve been busier than… It’s been crazy. Mick and I, our birthdays are, like, two weeks apart. So, I’ll get a text from him for my birthday. I’ll send him one. If I see a funny meme or a joke or whatever, I’ll send it to him.”
However, Corabi revealed that bassist Nikki Sixx is the one bandmate he doesn’t maintain contact with.
“And so I’m all good with all those guys,” he said. “The only one I don’t really talk to, and it’s unfortunate, is Nikki [Sixx, Mötley Crüe. bassist], but that’s his choice.”
Corabi emphasized that there’s no animosity between him and any of the band members. He addressed fan misconceptions about his relationship with current vocalist Vince Neil.
“I’m not upset with any of those guys,” he explained. “I have nothing bad to say about those guys. But the bottom line of it is, I guess what I was trying to say is a lot of fans just think that Vince and I can’t stand each other, and that couldn’t be farther from the truth… So I’m fine with all those guys. Even Nikki — if Nikki came in here and wanted to talk, I’d be, like, ‘Hey, dude, how have you been? What’s up? How are the kids?’ But whatever. It is what it is. So there is no bad blood between me and Mötley Crüe at all.”

n a new interview with Robert Edwards of Talkin' Bout Rock, ex-MÖTLEY CRÜE frontman John Corabi, who joined the band in 1992 as the replacement for original singer Vince Neil, spoke about his current relationship with Vince. He said (as transcribed by BLABBERMOUTH.NET): "If I was to see Vince right now, he'd probably give me a hug, 'Hey, Crabby.' And we'd probably sit down and have a cocktail together. I've never had an issue with Vince. Even when he came back and he was doing the 'Generation Swine' [reunion] record [with MÖTLEY CRÜE], I sat with him a bunch and talked. I was, like, 'Hey, dude, I don't have any hard feelings.' He's, like, 'Yep. Nope. Me either.' I was, like, 'Sorry about your daughter.' He was, like, 'Sorry about your son having diabetes.' And I've seen Vince a gazillion times since then. He doesn't care. He's, like, 'Oh, yeah, dude. And we'll sit on his bus or he'll come on my bus and we'll just sit and bullshit for hours."
Regarding his relationship with some of the other members of MÖTLEY CRÜE, John said: "To be honest with you, I was just — God, Tommy [Lee, MÖTLEY CRÜE drummer] and I were just texting a month ago. We were going back and forth. And he saw that I got a record deal. He, was, like, 'Hey, good luck with the record, bro.' And I played him some stuff, and he was, like, 'Awesome.' I still talk to Mick [Mars, former MÖTLEY CRÜE guitarist]… I speak with Mick. But Mick's wrapped up in his thing. Between THE [DEAD] DAISIES and the solo record that I just [completed], I've been busier than… It's been crazy. Mick and I, our birthdays are, like, two weeks apart. So, I'll get a text from him for my birthday. I'll send him one. If I see a funny meme or a joke or whatever, I'll send it to him. And so I'm all good with all those guys. The only one I don't really talk to, and it's unfortunate, is Nikki [Sixx, MÖTLEY CRÜE bassist], but that's his choice."
Corabi continued: "I'm not upset with any of those guys. I have nothing bad to say about those guys. But the bottom line of it is, I guess what I was trying to say is a lot of fans just think that Vince and I can't stand each other, and that couldn't be farther from the truth… So I'm fine with all those guys. Even Nikki — if Nikki came in here and wanted to talk, I'd be, like, 'Hey, dude, how have you been? What's up? How are the kids?' But whatever. It is what it is. So there is no bad blood between me and MÖTLEY CRÜE at all."
With Corabi on vocals, MÖTLEY CRÜE released one critically acclaimed full-length CD, which ended up being a commercial failure in the wake of grunge despite a Top 10 placing on the album chart. When Neil returned to the fold in 1997, Corabi was left on his own and formed UNION with ex-KISS guitarist Bruce Kulick.
n a 2016 interview with Sweden Rock Magazine, Sixx said that writing the "Mötley Crüe" LP with Corabi was a prolonged and difficult experience. He went to call it "a very unfocused record" that was "painful for me, because John Corabi can't write lyrics, and I had to do all that work."
Nikki added: "It was the first time I ever had to work with somebody that wanted to participate in the lyrics. And my standard is so high that it was so hard, it took months. Usually, I write a set of lyrics in an hour.
"It's all about having pent-up information and aggression and just [letting it out]. It was just hard, because [John] was a nice enough guy, but he just didn't have that fire, and it was hard for me."
In the Sweden Rock interview, Nikki also offered his theory as to why Mars and Lee have both publicly expressed their fondness for the Corabi-fronted album. He said: "I think Mick and Tommy love that record, 'cause it's [got] great drums, great guitars. And, yeah, I think there was a freedom in having a different singer, you know. But it was just hard for me to have to go slow. I'm just not a good 'slow' guy in the studio. I've been in sessions with other artists where [someone is working slowly] and I've just gotta bail; I've just gotta go. It's, like, you can create on the spot or you can't create. That's it with me. I just don't have patience for that."
In February 2018, Corabi released a live album of his performance of MÖTLEY CRÜE's entire 1994 self-titled album, recorded on October 27, 2015 in Nashville, Tennessee. "Live '94: One Night In Nashville" documents the album in its entirety along with the bonus track "10,000 Miles", which was originally released as a bonus track on the Japanese version of the "Quaternary" EP.
Corabi's autobiography, "Horseshoes And Hand Grenades", came out in June 2022 via Rare Bird Books. It was written with the help of MÖTLEY CRÜE historian/author Paul Miles.

The 1980s were an incredible decade for hard rock and heavy metal. It was a time of big hair, leather, scorching guitar solos and soaring vocals. Bands formed, traded members, and made music that banged heads across all four corners of the globe. One such supergroup was MSG, or the McAuley Schenker Group, featuring UFO/Scorpions guitarist Michael Schenker and vocalist Robin McAuley.
While some of these veterans can’t hit the high notes like they used to, McAuley—who sang for MSG from ’86 to ’93, and also performed with Grand Prix and Survivor—has kept his vocals in tip-top shape. “I’m in a good place. Voice is good. Voice is responding to my requests. I take great care of it,” he said on the Jan. 17 episode of Talkin’ Bout Rock.
It’s not just something that I wake up and go, ‘I’m gonna sing really good today.’ Even if you’re in your prime, it can knock on your door. You can get sick. You can get all sorts of stuff,” he explained on the show, as transcribed by Blabbermouth.net.
McAuley explained that travelling is the greatest danger for a singer. “A tour bus is not kind to the voice. Flying is not kind to the voice.”
“Public enemy number one for me on the road is somebody with a cold,” added McAuley. “If you have a cold, do not come near me. Don’t come into the same room. Don’t pretend you don’t have a cold, because it’s not just me. Everybody else around you will slowly but surely get sick. And getting back to the tour bus, it’s an incubator for s–t.”
McAuley said that he spent most of last year on the road in Europe, and he was on his guard not get sick. “For me, the fans pay for a ticket, and they deserve to get a good show and not come in and hear an excuse, ‘I’m sorry. I’m not up to it tonight,” he said. “It’s a work. I travel with my little humidifiers, sprays, and all sorts of stuff.
He also acknowledged that, at age 72, there are some limitations. “Over the years, you get to know the forest and sometimes how to get around the trees,” he said, saying that there are techniques for him to deliver a performance that fans expect.
People, for the most part, will go, ‘I didn’t hear anything.’ And that’s how it goes sometimes. But, yeah, it’s important to me,” he said. “I don’t wanna go to a show or a concert either and be let down because I was so looking forward to hearing a particular song the way I wanted to hear it.”
McAuley started the ’80s with Grand Prix, an English hard rock/pop rock group. Robin replaced original singer Bernie Shaw, who’d go on to join Uriah Heep, and recorded two albums with Grand Prix: There for None to See and Samurai. After Grand Prix, McAuley joined producer Frank Farian’s group, Far Corporation, for two albums before partnering with Michael Schenker for MSG.
After MSG, Robin released a handful of solo albums, joined the cast of the jukebox musical experience Raiding the Rock Vault, and launched a new band, Black Swan.
Black Swan, which features Reb Beach of Whitesnake/Winger, Jeff Pilson of Foreigner, and Matt Starr of Mr. Big, will release their third album, Paralyzed, on February 27.

In a new interview with Robert Edwards of Talkin' Bout Rock, Irish singer Robin McAuley, who is best known as the vocalist for the rock band MCAULEY SCHENKER GROUP from 1986 to 1993, was asked how he keeps his voice in such great shape at the age of 72. He responded (as transcribed by BLABBERMOUTH.NET): "I'm in a good place. Voice is good. Voice is responding to my requests. I take great care of it. It's not just something that I wake up and go, 'I'm gonna sing really good today.' Even if you're in your prime, it can knock on your door. You can get sick. You can get all sorts of stuff."
Robin continued: "If you're on a tour bus, a tour bus is not kind to the voice. Flying is not kind to the voice. But it's really up to the individual. How much care do you want to dedicate to your instrument?
"I spent most of '25 in Europe, and that's worrisome because you pray that you're not gonna get sick and you pray that you're gonna show up every night for the shows and it's just gonna be as good as the last night. And so it's a work. I travel with my little humidifiers and my sprays and all sorts of stuff.
"Public enemy number one for me on the road is somebody with a cold," McAuley explained. "If you have a cold, do not come near me. Don't come into the same room. Don't pretend you don't have a cold, because it's not just me. Everybody else around you will slowly but surely get sick. And getting back to the tour bus, it's an incubator for shit. [Laughs] That's the only way I can put it. So, it's important, and for me, the fans pay for a ticket and they deserve to get a good show and not come in and hear an excuse, 'I'm sorry. I'm not up to it tonight.'
Robin added: "Over the years, you get to know the forest and sometimes how to get around the trees sometimes if you're not as good as you think you wanna be. And people, for the most part, will go, 'I didn't hear anything.' And that's how it goes sometimes. But, yeah, it's important to me. I don't wanna go to a show or a concert either and be let down because I was so looking forward to hearing a particular song the way I wanted to hear it."
McAuley is widely recognized as one of the great singers of a golden period in hard rock music. His voice can be heard on albums from GRAND PRIX and FAR CORPORATION, and of course, on the chart-topping MSG records "Perfect Timing", "Save Yourself" and "MSG". Through these releases, he was introduced to hard rock fans around the globe, who no doubt recognized the inherent talent and skill in his vocal abilities.
Once he departed MSG, McAuley released one solo record in 1999, then joined AOR legends SURVIVOR. He then re-teamed with Schenker in MICHAEL SCHENKER FEST on their records "Resurrection" and "Revelation", And of course, in what was an absolute revelation to hard rock fans around the world, in 2020, he came out swingin' as the frontman of the supergroup BLACK SWAN, where he joined forces with Reb Beach (WHITESNAKE, WINGER),Jeff Pilson (FOREIGNER, ex-DOKKEN) and Matt Starr (ACE FREHLEY, MR BIG).
BLACK SWAN's third album, "Paralyzed", will be released on February 27 via Frontiers Music Srl.

Lynch Mob / ex-Dokken guitar legend, George Lynch, guested on Talkin’ Bout Rock to discuss the new Lynch Mob album, Dance With The Devil. During the chat, he looked back on the 1989 break-up of the classic Dokken line-up of himself, vocalist Don Dokken, bassist Jeff Pilson, and drummer Mick Brown.
Lynch: “I’m not saying it in any kind of disparaging way, but the fact is that Don really wanted to control everything and have the lion’s share of the money, and that’s really what it all came down to. When you boil it down to its foundational element, most basic thing, that’s what he was trying to accomplish, and he let us know that. He got his own separate management and then he had his own separate record deal and he was trying to fire us, but he couldn’t do that because we all owned the band. So, he disbanded the band, or whatever, or left or whatever. He just started his own thing and then sued us. So we countersued, and the end result was nothing. Everybody just went their own way, I guess. But, really, everybody lost. We all did.”
“I had insisted that all throughout the band’s career, when we were intact, I was insisting that we be four for one, one for all, quarter splits on everything, regardless of who wrote what, regardless of anything. I wrote the most music and I suffered the most for that, if you wanna call it suffering, but I gave up the most. And I still believed in that, because I thought you get the best results that way. We’d all been out there for 10 years busting our ass. We all came up from the same place. We all played together in the garages and the kegger parties and the sock hops, and we all did our time. So, just because one of us has got the last name or one of us has more talent or identifiable style or something, the other person shouldn’t suffer for that. So I was very comfortable with that, and Don was not. And that was our problem. That was his problem with me. I didn’t have any problem with him other than the fact that he wasn’t comfortable us with being fair and sticking to the plan and the agreement that we all worked under for those 10 years. And then when it came down time for the big payday that we all worked for, he wanted to take it all and pretty much kick us to the side, off to the side. It’s not what good people do. So, I lost a lot of respect for him, and I fought him on that. And here we are today.”

In a new interview with Robert Edwards of Talkin' Bout Rock, legendary guitarist George Lynch (DOKKEN, LYNCH MOB) spoke about the 1989 breakup of the classic DOKKEN lineup. He said (as transcribed by BLABBERMOUTH.NET): "The truth of the matter is, and I said this many, many times, and I'm not saying it in any kind of disparaging way, but the fact is that Don [Dokken, DOKKEN frontman] really wanted to control everything and have the lion's share of the money. And that's really what it all came down to. When you boil it down to its foundational element, most basic thing, that's what he was trying to accomplish. And he let us know that. And he got his own separate management and then he had his own separate record deal and he was trying to fire us, but we couldn't do that — he couldn't do that because we all owned the band. So, he disbanded the band, or whatever, or left or whatever. He tried to fire us, but he couldn't do that, so he just started his own thing and then sued us. So we countersued, and the end result was nothing. Everybody just went their own way, I guess. But, really, everybody lost. We all did."
George continued: "We've all done wonderful things [since then] and very satisfying and gratifying musically. But what we all gave up was the sure thing, which was what we had all worked for, which was we did the build. We did it the right way with the help of our incredible management, Q Prime — Cliff Burnstein and Peter Mensch at Q Prime, who managed QUEENSRŸCHE, METALLICA, even THE ROLLING STONES and other huge bands at the time. And we had that power of that whole machine guiding us. And we did the right records all at the right time. The timing was perfect. And on a wonky business level, everything was primed for us to pretty much turn the corner."
Lynch added: "So that's what every professional musician wants, at our level, is to get to that point where you have this negotiating power with the labels and promoters and others, but especially the labels, to have leverage to where you get the deal. And those deals last for many, many years. And then you go to another level — financially, security, music security. You have a home and you're gonna be established and it's gonna carry you through the rest of your life. And that's the point we worked towards, and we were on the cusp of signing that deal with Warner Brothers/Elektra."
Elaborating on the reason he didn't see eye to eye with Don when it came to DOKKEN's business affairs, George said: "I had insisted that all throughout the band's career, when we were intact, I was insisting that we be four for one, one for all, quarter splits on everything, regardless of who wrote what, regardless of anything. I wrote the most music and I suffered the most for that, if you wanna call it suffering, but I gave up the most. And I still believed in that, 'cause I thought you get the best results that way because you're letting the people that are contributing the most important music, you're letting them do that and you're not forcing people that are contributing inferior music to feel compelled to insist on their contribution musically to the album because they wanna make more money. This way you're paying the weaker writers to stay home, and they get just as much money. And I thought that was a good idea. And plus it was just fair. We'd all been out there for 10 years busting our ass. We all came up from the same place. We all played together in the garages and the kegger parties and the sock hops, and we all did our time. So, just because one of us has got the last name or one of us has more talent or identifiable style or something, the other person shouldn't suffer for that. So I was very comfortable with that, and Don was not. And that was our problem. That was his problem with me. I didn't have any problem with him other than the fact that he wasn't comfortable us with being fair and sticking to the plan and the agreement that we all worked under for those 10 years. And then when it came down time for the big payday that we all worked for, he wanted to take it all and pretty much kick us to the side, off to the side. And it's not what good people do. You know what I'm saying? So I lost a lot of respect for him, and I fought him on that. And here we are today."
Lynch concluded: "DOKKEN could have been a much bigger band — could have been on the MÖTLEY CRÜE level [or] BON JOVI level, which is a whole other level. We all would've been pretty set for life. And that got stolen from us, because he took the gamble to take it all."

Don Dokken recently clarified his previous statements about retiring from music. He addressed comments he made in a spring 2025 interview, explaining that his earlier remarks about a potential final concert were misunderstood. According to Talkin’ Bout Rock, the legendary rocker emphasized that “retirement” for him means slowing down rather than stopping completely.
He stated: “I don’t know what retirement means. When I say I’m thinking about retiring, kind of what I meant was we’re gonna slow down. We don’t wanna do 250 shows a year.”
The musician pointed to lifestyle changes that come with age and success. “You get older and you have other interests. You wanna be home, you wanna enjoy your career, all the success you had. You wanna be home in the garden and working and building things and stuff like that, and renovating the house. And you don’t wanna live on a tour bus, ’cause we’re older now,” he explained.
Dokken noted that many veteran bands have made similar announcements about stepping back. “A lot of bands — KISS, I can name… There’s a plethora of bands that are saying, ‘All right, we had a good ride, we had fun, we were famous. Let the youngsters come in and take over,'” he said. He referenced artists like David Coverdale, David Lee Roth, and others considering retirement.
However, he left the door open for future performances. “But you know that stupid saying, you never say never, right? I mean, if we get a big festival in Europe, like Wacken [Open Air] or Sweden Rock or a big festival, we’ll probably go do ’em. But it’s different now. When you’re 27 years old, you go on the road ’cause you have to. Otherwise you come home and your electricity’s off. You go, ‘Damn it, I didn’t pay the electric bill,'” Dokken concluded.

In a new interview with Robert Edwards of Talkin' Bout Rock, Don Dokken spoke about the possibility of making a new EP with some of the other members of the classic DOKKEN lineup, including guitarist George Lynch and bassist Jeff Pilson. He said (as transcribed by BLABBERMOUTH.NET): "Yeah, we talked about it, 'cause [George] comes on the road [when we play gigs with the current DOKKEN lineup] and he plays [on the same bill] with … [LYNCH] MOB. So I said, 'Look, if you wanna do an EP,' it'd be up to them to do it."
Referencing the complications from his November 2019 neck and spinal surgery which rendered his right arm nearly paralyzed, Don continued: "I can't play guitar anymore, which is one of my biggest bummers, because if you see my hand, [the left hand is] fine; [the right] one doesn't move. That's all I got. So I can't play guitar anymore. It was a botched spinal surgery, and the doctor was a butcher. And so it was just one bad calamity after the other. So I said, 'Well, we'll keep going.' I can still sing."
Addressing his previous comment from an spring 2025 interview in which he said that would play his final DOKKEN concert "probably within the year", Don said: "I don't know what retirement means. When I say I'm thinking about retiring, kind of what I meant was we're gonna slow down. We don't wanna do 250 shows a year. You get older and you have other interests. You wanna be home, you wanna enjoy your career, all the success you had. You wanna be home in the garden and working and building things and stuff like that, and renovating the house. And you don't wanna live on a tour bus, 'cause we're older now… A lot of bands — KISS, I can name… There's a plethora of bands that are saying, 'All right, we had a good ride, we had fun, we were famous. Let the youngsters come in and take over.' I just saw that [David Coverdale was retiring]. David Lee Roth, he kind of comes and goes. You've got Coverdale. I mean, look, the list is endless. I think I talked to [WINGER's] Kip Winger. He's doing an orchestra album. He's gonna retire. George Lynch says he's gonna retire. But you know that stupid saying, you never say never, right? I mean, if we get a big festival in Europe, like Wacken [Open Air] or Sweden Rock or a big festival, we'll probably go do 'em. But it's different now. When you're 27 years old, you go on the road 'cause you have to. Otherwise you come home and your electricity's off. You go, 'Damn it, I didn't pay the electric bill.'"
Circling back to the possibility of playing more shows with Lynch as well as the likelihood of a new EP featuring the classic DOKKEN lineup, Don said: "Yeah, it's fun [to share the stage with George]. And George and I, we get along. And people like to see him up there play a couple of DOKKEN songs. But you get older and it becomes harder and harder to play. And then you come home and you wanna rest for a couple days. But to go on tour now costs a fortune. Gas is tripled in price. Bus rentals are tripled in price. Hotels are tripled in price. It's kind of a negative return. Now when we play, it's kind of just for fun. I've done a hundred shows this year so far. That's a lot of shows, for me. So we've done a hundred. And we have another one in two days. And I said, 'Let's take a break for the holidays.' So we are — we're gonna take a break for the holidays. But I wouldn't say retire. If those guys wanna get together and write me some music, I'd write the lyrics and sing it. And I'll participate like I always did. So that's where we're at now."

Rikki Rockett recently addressed tensions within the legendary rock band Poison. He revealed significant rifts among band members in a statement shared on Talkin’ Bout Rock.
The drummer discussed the current state of relationships within the band. Communication has broken down between certain members, particularly between himself and frontman Bret Michaels.
I talk to C.C. all the time, at least once or twice a week,” Rockett explained. “His mom and my mom were really close. My mom passed away, and his mom’s going through a lot right now. That’s kept us close on one level. I talk to Bobby less. Bobby keeps to himself a lot these days, which is okay if that’s how he is. Bobby can’t help himself but to talk about business, and sometimes he doesn’t want to talk about business, so he just doesn’t want to pick up the phone, you know what I mean? But Bret and I do not talk, unfortunately. That’s a shame—honestly, it is. So we get bits and pieces of stuff.”
The communication breakdown has had direct consequences for the band’s touring plans. Rockett clarified the status of a potential 2026 anniversary tour. Three of the four members had agreed to a contract presented by Live Nation, but Michaels has not signed on.
“I’ll set the record straight as far as Poison touring: at this point in time, there is nothing on the books for a 2026 40th-anniversary tour,” Rockett stated. “I said it months ago when we got presented a contract from Live Nation to go on tour next year. C.C., Bobby and I agreed. We thought it was great. We thought the money was great. We thought the lay of the land looked great. Then Bret looked at it and has not agreed to anything. So literally that is where we’re at.”
The current impasse represents a significant shift in the band’s touring prospects. Metal Wani reported that earlier in the year Rockett indicated Poison received “a great offer” for a headlining tour in 2026 to celebrate the band’s 40th anniversary. The drummer had proposed an ambitious plan involving “40 shows all across the country and maybe Canada” to commemorate four decades since Poison’s 1986 formation.

In a new interview with Robert Edwards of Talkin' Bout Rock, drummer Rikki Rockett was asked if he is still in communication with his POISON bandmates Bret Michaels (vocals),Bobby Dall (bass) and C.C. DeVille (guitar),more than three years after they last played together. He responded (as transcribed by BLABBERMOUTH.NET): "I talk to C.C. all the time, at least once or twice a week. And his mom and my mom were really close. And my mom passed away, and his mom's going through a lot right now. And that's kept us close on one level. I talk to Bobby less. Bobby keeps to himself a lot these days, which is okay, if that's how he… Bobby can't help himself but to talk about business, and sometimes he doesn't wanna talk about business, so he just doesn't wanna pick up the phone, you know what I mean? But Bret and I do not talk, unfortunately. And that's a shame — honestly, it is. So we get bits and pieces of stuff."
Rikki, who has spent the last few months playing sporadic shows with his new band THE ROCKETT MAFIA, also talked about the possibility of POISON touring in 2026 to commemorate the 40th anniversary of the band's debut album, 1986's "Look What the Cat Dragged In". He said: "I'll set the record straight as far as POISON touring: at this point in time, there is nothing on the books for a 2026 40th-anniversary tour. And I said it months ago when we got presented a contract from Live Nation to go on tour [next year]. C.C., Bobby and I agreed. We thought it was great. We thought the money was great. We thought the lay of the land looked great. And then Bret looked at it and has not agreed to anything. So literally that is where we're at."
He continued: "I'm not trying to bash Bret. I'm not trying to start any fights… But one thing you have to understand is, for instance, the Bret Michaels [solo] band tours very differently from the way POISON tours. POISON tours the way DEF LEPPARD and MÖTLEY CRÜE and Luke Bryan or whoever [tours], where we basically kiss our families goodbye for three-plus months, or however long it's gonna be, and go out on a tour bus and trucks, and we're playing five nights a week, sometimes six nights a week. And that's not how Bret tours [with his solo band]. He does weekend-warrior stuff, which there's nothing wrong with that at all. Joan Jett does it — I mean, tons of bands do this. THE ROCKETT MAFIA does it. We can't play in Omaha, Nebraska on a Tuesday night and make any money. We'll be upside down. But at the level we've managed to get to [with POISON], and DEF LEPPARD and bands like this, you can play on a Tuesday night and people will come, at the right time. You still have to manage it correctly."
Asked if POISON's long-delayed North American trek with DEF LEPPARD, MÖTLEY CRÜE and JOAN JETT & THE BLACKHEARTS — which was originally planned for 2020 and later moved to 2021 and then to 2022 — was a "good experience" for him, Rikki said: "Oh, it was great. Look, it's so funny, because people go, 'Man…' You would think that in these stadiums, there would be so much room to do everything you want. It's weird, because it's set up for sports. It's not set up for a bunch of trucks and buses and all that stuff. So most of the time our bus would be two miles away in a parking lot somewhere and we'd have to take a golf cart or an Uber or a van or something like that to get to the venue. And then you get to the venue and it's, like, MÖTLEY and DEF LEPPARD got all the nice dressing rooms and we're in the electrician's room or something. [Laughs] So from that standpoint, it wasn't as nice as when we headline. But we were playing these massive places for amazing fans. I mean, it was literally a once-in-a lifetime experience.
We've played some big shows — we've done Donington, we've done a lot of these… Texas Jam, a lot of these things like that — but to do it kind of on that level, or close to that level, for 40 nights, or whatever it was, that was amazing," Rockett added. "And it keeps you on your toes, man. You can't go out there half cocked. I mean, we don't ever do that anyway — I don't think any of us ever go out there on stage nonchalantly. We're a band that pride ourself in giving it everything we got. Even if everything that we have isn't as good as it was the night before, I'm still gonna give it everything that I have, you know what I mean? And I know the rest of the band's like that. Bret's like that, C.C., Bobby, We never half-ass anything."

In a new interview with the Talkin' Bout Rock With Rob Edwards podcast, LAST IN LINE singer Andrew Freeman commented on the status of the songwriting sessions for the band's fourth studio album. Freeman is joined in the group by DEF LEPPARD guitarist Vivian Campbell, bassist Phil Soussan (OZZY OSBOURNE) and drummer Vinny Appice (BLACK SABBATH, DIO). Andrew said (as transcribed by BLABBERMOUTH.NET): "I don't have any information, honestly. I wish I could tell you more. We started working on a record last year. So, that's kind of where we're at. It's a side project. [There is] not a lot of information there right now. So [we're] just working on a record."
Andrew continued: "It's not a place where you can make a living, that's for sure. Again, it's a side project, so you try to facilitate it when it comes.
"For me, I was put in a position, [with] the original DIO band getting back together and me being at the helm of it was quite an honor, for me as a fan of that band," Freeman added. "So, I just kind of feel like I have an obligation to facilitate it for as long as it goes. So if I can do that and try to do gigs around it and make it make sense when it makes sense, we'll continue on. But, honestly, it's all about what Vivian wants to do, if he wants to continue on, if he's got the time to continue on. He's a race car driver now too, so between his day job and his race car driving, there's really not a lot of time to do anything."

In a recent appearance on the Talkin’ Bout Rock podcast with Rob Edwards, STRYPER frontman Michael Sweet opened up about the evolving challenges of being a Christian metal band more than four decades into their career.
When asked whether it’s harder to be a Christian rock act today compared to the early days, Sweet reflected on how the obstacles have changed over time.
I think it’s different,” he explained (as transcribed by Blabbermouth). “There are challenges now that are different from the challenges then. So back in the ’80s, the challenges for us were the different sound and the different look and basically singing about Jesus. It was difficult for people to take the lyrics and look at the image and listen to the sound and combine the three. People were, like, ‘Wait a minute. This can’t be Christian music.’ Now it’s more about just the message itself.”
Sweet went on to describe how opposition to STRYPER’s message has become more direct in recent years, even at their own concerts. “The Christian message, from my experience, is a message that is persecuted to no get-out, man,” he continued. “I hear it and I read it in e-mails, I hear it from people, I see it at our shows, those people that come to just speak out against the faith and Christianity. I don’t get it. It’s bizarre. But I see that more often with Christianity than I do with other religions. And for some reason… I mean, it seems to me like certain religions are off limits — you can’t say anything bad about certain religions because if you do, you’re a bad person. But yet it seems like you could say anything you want about Christianity. I don’t know. Maybe I’m wrong. Somebody else out there, convince me that I’m wrong. But this is from my personal experience. And it kind of bums me out, but at the same time, it also drives me to do more. That’s the way I’m built. It’s never stop. Get up. You get knocked down, get back up. Keep going.”

In a new interview with Rob Edwards of the Talkin' Bout Rock podcast, STRYPER frontman Michael Sweet was asked if it is more difficult being a Christian rock band today than it was when the band first started out more than four decades ago. Michael responded (as transcribed by BLABBERMOUTH.NET): "I think it's different. There are challenges now that are different from the challenges then. So back in the '80s, the challenges for us were the different sound and the different look and basically singing about Jesus. It was difficult for people to take the lyrics and look at the image and listen to the sound and combine the three. People were, like, 'Wait a minute. This can't be Christian music.' Now it's more about just the message itself."
He continued: "The Christian message, from my experience, is a message that is persecuted to no get-out, man. I hear it and I read it in e-mails, I hear it from people, I see it at our shows, those people that come to just speak out against the faith and Christianity. I don't get it. It's bizarre. But I see that more often with Christianity than I do with other religions. And for some reason… I mean, it seems to me like certain religions are off limits — you can't say anything bad about certain religions because if you do, you're a bad person. But yet it seems like you could say anything you want about Christianity. I don't know. Maybe I'm wrong. Somebody else out there, convince me that I'm wrong. But this is from my personal experience. And it kind of bums me out, but at the same time, it also drives me to do more. That's the way I'm built. It's never stop. Get up. You get knocked down, get back up. Keep going."

In a new interview with the Talkin' Bout Rock podcast, drummer Danny Schuler of the reunited classic lineup of BIOHAZARD spoke about "Divided We Fall", the band's first studio album in over a decade, which will arrive on October 17 via BLKIIBLK. Regarding why it took so long to get the LP out, Danny said (as transcribed by BLABBERMOUTH.NET): " Well, the album was a long time coming because the band wasn't really doing anything for a long time.
The band got back together in 2023. We started doing some shows, we started touring, and everybody started talking about, 'Hey, why don't we do a record?', our managers and everybody. And that was it. It was just we started talking about it. We started getting together with the purpose of writing songs and seeing how that went. After a while, we kind of hit our stride and the songs just kind of came quick. And, yeah, boom — next thing you know, we're making a new BIOHAZARD album, 'Divided We Fall'. Here we are."

In a new interview with Talkin' Bout Rock, TRIUMPH drummer and vocalist Gil Moore spoke about ongoing plans for the legendary Canadian rockers to develop a high-tech concept that would bring their music back to the stage.
He said (as transcribed by BLABBERMOUTH.NET): "[It's] something I've been working on with Paul Dexter, who's our lighting designer from back in the day. And Paul's really kind of a genius behind the lighting board. And he was involved in the early stages of holograms — he did Ronnie Dio from [BLACK] SABBATH and he did Frank Zappa as well. And we got together, 'cause I was trying to look at a way to bring TRIUMPH back to life because people wanted us to tour, but I knew I couldn't because I didn't have the time. And you reach a certain stage after we did the [2021 TRIUMPH] documentary ['Triumph: Rock & Roll Machine'] and we performed, and I said, 'You know what?' The type of performance we did, like the vocals were so high and there was so much high energy… I saw the THE EAGLES this year, and I thought certain types of music are easier on you physically. The hard rock power trio is probably about as tough as it gets. Singing and playing drums, for example, that's another thing — it's like a double whammy. So, I wanted to see if there was a way, through technology, to do something completely different, 'cause I didn't really like the hologram situation. The hologram itself was pretty cool, but it's just the way… I was sitting with Paul afterwards and he said, 'What do you think?' And I said, 'The hologram's cool, but it's not a platform. It's just a feature on a platform.' And that became the turning point. He said, 'A feature on a platform, not the platform.' He was, 'Well, what do you mean?' And I said, "Well, we, we need something that surrounds that. That's just one effect.' So we set out on this path towards mixed reality, which was starting to become something that was being talked about in research circles and so on at the time. A.I. hadn't kicked in yet. And there were some additional types of projection technology that were coming along that were more sophisticated than how these original holograms were produced using the Pepper's ghost technique. And so we just pursued it, pursued it, pursued it over a bunch of years. So we've got it to the point now where we really think we've kind of nailed it."

Skeoch talked about the possiblity for a new band in a recent interview with Talkin’ Bout Rock:
“We’re all doing our own thing, and I don’t know when we can ever get together, all of us. Although, when [Brian] asked me about that, I did think it would be cool — I would like to play with that guy [Chris Holmes]. I think me and him would have a cranky guitar thing going on, probably. He’s kind of cranky like me. But it’s just if we can all get our schedules together, like if we’re not doing nothing. But we’re all busy. It’s hard.”

In a new interview with Talkin' Bout Rock, former TESLA and current BAD MARRIAGE guitarist Tommy Skeoch confirmed that he has been in discussions with TESLA bassist Brian Wheat and former W.A.S.P. guitarist Chris Holmes about launching a new project together. "Yeah, [Brian and I] talked about it," Tommy said (as transcribed by BLABBERMOUTH.NET). "We're all doing our own thing, and I don't know when we can ever get together, all of us. Although, when [Brian] asked me about that, I did think it would be cool — I would like to play with that guy [Chris Holmes]. I think me and him would have a cranky guitar thing going on, probably. He's kind of cranky like me. But it's just if we can all get our schedules together, like if we're not doing nothing. But we're all busy. It's hard."
Asked if he has "kind of mended the fences a little bit with the guys in TESLA" since his last exit from the band, Tommy said: "Uh, yeah, for the most part. I mean, whatever. I don't even deal with that stuff until I do interviews, and then it comes up. But, yeah, I'm cool with it."
Circling back to the prospect of playing with Wheat and Holmes, Skeoch said: "It was talked about, you bet. If he calls me up tomorrow and says, 'Hey, let's go,' and I've got a week open, I'll go up there and jam with Chris. That would be fun as hell, man."

In a new interview with Talkin' Bout Rock, TRIUMPH guitarist/vocalist Rik Emmett confirmed that there are still plans for the legendary Canadian rockers to develop a high-tech concept that would bring their music back to the stage. He said (as transcribed by BLABBERMOUTH.NET): "[TRIUMPH drummer and vocalist] Gil's [Moore] got a bee in his bonnet about wanting to do this heavy-duty 3D hologram-ish… He wants TRIUMPH to go back and do a tour — not the guys in the band, but screen projection, digital stuff. And he wants to have a band that would have [former TRIUMPH and current BON JOVI guitarist] Phil X sort of putting the musicians together so that there would be a live band. But then we would be joining them by playing on the screens and just all this incredible stuff. And he's sending me scripts."

Vocalist Robin McAuley (McAuley Schenker Group) recently appeared on the Talkin' Bout Rock podcast. During his interview, which can be seen below, McAuley confirmed that Black Swan - the band in which he sings alongside guitarist Reb Beach (Winger, Whitesnake), bassist Jeff Pilson (Foreigner, Dokken), and drummer Matt Starr (Ace Frehley, Mr. Big) - is nearing completion of their third album. An excerpt has been transcribed as follows:
Robin McAuley: "Last Friday I finished my vocals for the next Black Swan record. So that's in the can. We're waiting for drums to go down on that. That should be done in the next week. Jeff's done. Reb's done, just about. And we're waiting for drums to go on there and get that thing mixed. And I think it's a great record. I'm pretty excited about it."

In a new interview with Talkin' Bout Rock, Robin McAuley confirmed that his BLACK SWAN project, in which he is joined by guitarist Reb Beach (WINGER, WHITESNAKE),bassist Jeff Pilson (FOREIGNER, THE END MACHINE, ex-DOKKEN),and drummer Matt Starr (ACE FREHLEY, MR. BIG),is putting the finished touches on its third album. The singer said (as transcribed by BLABBERMOUTH.NET): "Last Friday I finished my vocals for the next BLACK SWAN record. So that's in the can. We're waiting for drums to go down on that. That should be done in the next week. Jeff's done. Reb's done, just about. And we're waiting for drums to go on there and get that thing mixed. And I think it's a great record. I'm pretty excited about it."

In a new interview with Talkin' Bout Rock, former FIVE FINGER DEATH PUNCH guitarist Jason Hook reflected on his December 2019 surgery to have his gallbladder removed. Hook's operation took place just hours after the band was forced to postpone a show in Duluth, Minnesota. The final two concerts of FIVE FINGER's fall 2019 tour were also postponed: at CHI Health Center in Omaha, Nebraska and at Wells Fargo Arena in Des Moines, Iowa.
"It was horrible," Hook recalled. "In most cases, our body is just listening to our brain, and I was experiencing a tremendous amount of stress at that phase of that situation, and it caught up to me. Because I had asked, 'What makes something like this happen?' I'm, like, super healthy, take care of myself, blah, blah, blah, blah. And all the analysts and the doctors are, like, 'Well, stress can be a big component.' I'm, like, 'Well, that makes sense.' And it kind of freaked me out too, because I realized that you can die in a hotel room in the middle of nowhere and that's how it ends."

Now in a new interview with Talkin' Bout Rock, Hook opened up about the health issues that caused him to sit out those European dates and it's brutal. Hook said he became sick due to the stress of being in Five Finger Death Punch, and noted that he "didn't feel like I was surrounded by anyone who cared about me."
"It was horrible. In most cases, our body is just listening to our brain, and I was experiencing a tremendous amount of stress at that phase of that situation, and it caught up to me," said Hook. "Because I had asked, 'What makes something like this happen?' I'm, like, super healthy, take care of myself, blah, blah, blah, blah. And all the analysts and the doctors are, like, 'Well, stress can be a big component.' I'm, like, 'Well, that makes sense.' And it kind of freaked me out too, because I realized that you can die in a hotel room in the middle of nowhere and that's how it ends."

In a new interview with Talkin' Bout Rock Mr. Big bassist Billy Sheehan elaborated on the decision to bring Luppi on board:
"That's kind of why it's a farewell tour. We could limp over the finish line or run over the finish line, and right now we're planning to run over the finish line. But it's tough. Vocals are tough. We have a tight, tough schedule. So, this gentleman plays in one of the Italian Mr. Big tribute bands. He's got a great voice and he's a wonderful guy. And that's not every song or everything like that, but a little help from my friends comes in on the lead vocals. I still do my part as I do. Paul (Gilbert / guitar) and our drummer, Nick (D'Virgilio), is a great singer."
"We're not faking anything, and we never have and never will. We're doing our best to keep everything real, so we brought somebody in. We didn't have him behind a curtain. There he is. He's helping the singer sing."

In a new interview with Robert Edwards of Talkin' Bout Rock, MR. BIG bassist Billy Sheehan spoke about the band's decision to enlist Michele Luppi (WHITESNAKE) to assist with the lead vocals during MR. BIG's U.K. tour while singer Eric Martin was dealing with an unspecified voice issue.

In a new interview with Robert Edwards of Talkin' Bout Rock, guitarist/vocalist Rik Emmett of legendary Canadian rockers TRIUMPH was asked if he thinks the band will ever perform again.

Triumph frontman, Rik Emmett, is featured in a new interview with Talkin' Bout Rock, in which he talks about the days of arena rock shows with Triumph, his latest solo release Diamonds, and more.

After all, the Rock Hall has a history of what many of us metal fans perceive as snubs to our favorite music. The Hall will finally include metal pioneers Judas Priest just this year, and in what some see as a rather backhanded way.
As Appice shared with Talkin' Bout Rock this month, he clearly feels the same way about its treatment of Dio.

It's no secret the Rock and Roll Hall of Fame has a long-running feud with heavy metal. There are very few heavy metal Rock Hall alumni, and even where there are exceptions, there is still dissent. When Black Sabbath were inducted into the Hall of Fame in 2006, vocalist Ronnie James Dio—who recorded with Sabbath from 1979 until 1992—was not included, leaving the metal titan Dio out in the cold, still waiting for his own nod towards glory.
One person who is not happy about Dio's exclusion from the Rock and Roll Hall of Fame is ex-Dio drummer Vinny Appice. In an interview on the Talkin' 'Bout Rock podcast, Appice made his feelings clear as to why the standoff still persists.

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